Hojjatollah. ghe.Moniri; Nushin Dohniyatkar
Abstract
Symbolism has been widely present in modern literature and poetry including the poetry after revolution. However, different poets have used symbolism, this magic element of literary imagination, in various ways and there are no exact researches related to symbolism. So, the present researcher decided ...
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Symbolism has been widely present in modern literature and poetry including the poetry after revolution. However, different poets have used symbolism, this magic element of literary imagination, in various ways and there are no exact researches related to symbolism. So, the present researcher decided to present the image of poetry of revolution and this way, investigated the amount of creativity and innovation of the poets in this period of time. The present research investigates the symbols and symbolism in terms of meaning and context. Some poets such as Hamid Sabzevari, Mohammad Ali Damghani and Ali Mousavi Garmaroodi have shown the national and myths symbols in terms of historical patterns specially history of sacred war period. Other poets such as Nasorallah Mardani, Alireza Ghazve, Abdull Jabar Kkaie, Gheysar Aminpour, Parviz Beigi habib abadi and Fateme Rakeiee have widely used symbols of mystic, literary, and entered the emotional aspects of war and investigated its reflection in cultural space of the society. Some people like Ahmad azizi and Bidelvare have used the symbols in their piece and finally someone like Seyed Hasan Hosseini have shown a different style by employing symbols as irony.
Hojjatollah.ghe. Moniri; Nushin Dohniyatkar
Abstract
Mythology as one of imagination tools and also as one of the most significant elements of rhetoric has been used since the early usher of Persian poetry, though with its own ups and downs. Mythology has a different and significant role compared to previous ages especially during the first decade of Islamic ...
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Mythology as one of imagination tools and also as one of the most significant elements of rhetoric has been used since the early usher of Persian poetry, though with its own ups and downs. Mythology has a different and significant role compared to previous ages especially during the first decade of Islamic Revolution (Sacred defense period). Since the analysis and investigation of this role has not been written yet, the present research tries to investigate translate and metaphoric roles through a simple and systematic design. In addition, it presents the position and statue of the poets who are in line with Islamic Revolution. In this paper, it is also shown that: poets and orators of the period are not at the same level due to the experience and creativity and qualitative and quantitative efficiency of the myths. Some reach this level through recreating old patterns and integrating them with historical samples in a splendid language which is an integration of modern expression and Khorasani (a category of Urdu). Some others put a step forward and narrated some value symbols (abstract or conceptual) of their passionate history. Finally, a group of poets did not implement this magic element of imagination and their poetic symbols lack the visionary ambiguities of mythology.
